Coming Sooon

Photo Editing Software is a post from:

Canon U.S.A., Inc., a leader in digital imaging, today introduced the EOS 5D Mark II Digital SLR camera, the long-awaited successor to Canon's highly popular EOS 5D, introduced in 2005. Building upon the qualities that made the EOS 5D camera so successful, Canon has coupled the creative power of a full-frame CMOS sensor in a relatively compact and affordable camera body, together with groundbreaking HD video capture that opens the door to a much wider range of imaging possibilities for photographers. Along with the ability to capture full HD video clips at 1920 x 1080 resolution, Canon's EOS 5D Mark II Digital SLR camera featuresCanon U.S.A., Inc., a leader in digital imaging, today introduced the EOS 5D Mark II Digital SLR camera, the long-awaited successor to Canon's highly popular EOS 5D, introduced in 2005. Building upon the qualities that made the EOS 5D camera so successful, Canon has coupled the creative power of a full-frame CMOS sensor in a relatively compact and affordable camera body, together with groundbreaking HD video capture that opens the door to a much wider range of imaging possibilities for photographers. Along with the ability to capture full HD video clips at 1920 x 1080 resolution, Canon's EOS 5D Mark II Digital SLR camera features a 21.1-megapixel full frame 24 x 36mm CMOS sensor, DIGIC 4 imaging processor and significantlylowernoise, with an expanded sensitivity range from ISO 50 to ISO 25,600.

"The anticipation surrounding thelaunchof this camera model has exceeded our greatest expectations, and we believe our loyal customers will be awed by the level of innovation and features built into the new EOS 5D Mark II Digital SLR. Once they have thechancetoexperiencethe camera, we believe they will agree that it was worth the wait," stated Yuichi Ishizuka, senior vice presidentand general manager, Consumer Imaging Group, Canon U.S.A.

Among the many advancements in Canon's new EOS 5D Mark II camera is the Company's proprietary DIGIC 4 Imaging Processor that powers the camera's fast 14-bit analog-to-digital conversion for smooth color tones and exceptional gradation. The Canon EOS 5D Mark II Digital SLR offers a full-frame 24 x 36mm, 21.1 megapixel CMOS sensor and continuous shooting at 3.9 frames persecond(fps) for an unlimited number of full-resolution JPEGs to the capacity of the memory card or up to 14 RAW images in a single burst when using a UDMA CF card. The camera includes a 15-point Autofocus (AF) sensor with nine selectable AF points plus six additional Assist AF points (three center AF points sensitive to f/2.8 lenses) with enhanced light source detection and AF microadjustment for greater autofocus performance. The EOS 5D Mark II camera also features a large, clear 3.0-inch Clear View LCD screen with 920,000 dot/VGA resolution, four times the pixel count of the EOS 5D camera's 2.5-inch screen, for enhanced clarity and color when viewing images. The new camera is equipped with a high-performance, high-magnification optical viewfinder providing 98 percent coverage, giving a new dimension to the saying, "what you see is what you get." Professional photographers will also appreciate the enhanced 150,000-cycle shutter durability of the EOS 5D Mark II camera.

Canon, the first company to introduce a full-frame digital camera, has improved the EOS 5D Mark II Digital SLR camera's newly developed full-frame CMOS image sensor. Utilizing proprietary Canontechnology, the Company has reduced noise and expanded the sensitivity of the CMOS sensor up to ISO 25600, which is three full stopshigherthan the ISO 3200 limit of the original EOS 5D camera. Although the individual pixel dimensions of the EOS 5D Mark II camera are the same as the 21.1-megapixel CMOS sensor used in the EOS-1Ds Mark III digital SLR, the new sensor incorporates an improved output amplifier and a more advanced color filter that improves light transmission while retaining excellent color reproduction. By applying the same kind of advancements in sensor design and image processing technology as the recently introduced EOS 50D camera, but at higher resolution and with larger pixels, the EOS 5D Mark II achieves the highest level of image quality of any EOS Digital SLR released to date.

With the combination of its improved CMOS image sensor and the powerful new DIGIC 4 image processor, the Canon EOS 5D Mark II camera provides ISO speeds from ISO 100 up to ISO 6400 in 1/3-stop increments, along with two high-speed settings - H1 and H2 - of ISO 12800 and ISO 25600, respectively, as well as a low-speed setting of ISO 50. The full-frame sensor maximizes the performance of Canon EF lenses, the world's largest selection of autofocus lenses.

HD and SD Video Capture

Canon has taken its expertise in imaging, photography and video capture technology to a new level with the EOS 5D Mark II Digital SLR. Answering the question of where SLR technology is going next, the EOS 5D Mark II features 16:9 Full HD video capture at 1920 x 1080 pixels and 30 fps as well as 4:3 standard TV quality (SD) video capture at 640 x 480 pixels and 30 fps, both capabilities appearing for the first time in a Canon SLR camera. Video capture is part of the camera's Live View function, using the Picture Style that has been set for Live View still image shooting. This allows skilled photographers and cinematographers to adjust image sharpness, contrast, color saturation and white balance, and have those settings apply to the movie image. When recording video, the camera's rear LCD screen can be letter-boxed by a semi-transparent border to match the aspect ratio of the movie recording size. Moreover, the EOS 5D Mark II camera's HD video capability enables new levels of creative expression through its unfettered access to the complete line of more than 60 Canon EF lenses, which provide an incredible variety of visual effects including everything from ultra-wide-angle and fish-eye to macro and super-telephoto, including many large-aperture L-series professional lenses that can keep the main subject in razor-sharp focus while blurring the background beyond recognition.

The EOS 5D Mark II will record video up to 4GB per clip or a maximum continuous movie capture time of 29 minutes and 59 seconds, whichever comes first. Depending on the level of detail in the scene, a 4GB memory card can record approximately 12 minutes of video at full HD resolution or approximately 24 minutes in standard definition.1 Video clips are recorded in .MOV format using an MPEG-4 video compression and sound is recorded using linear PCM2 without compression. The new camera features an input terminal for external stereo microphones as well as a built-in monaural microphone for convenience. To help show off those fantastic movies as well as still photos, the EOS 5D Mark II camera includes an HDMI (High-Definition Multimedia Interface) output to display crisp, clear images on a High-Definition TV.

"The anticipation surrounding thelaunchof this camera model has exceeded our greatest expectations, and we believe our loyal customers will be awed by the level of innovation and features built into the new EOS 5D Mark II Digital SLR. Once they have thechancetoexperiencethe camera, we believe they will agree that it was worth the wait," stated Yuichi Ishizuka, senior vicepresidentand general manager, Consumer Imaging Group, Canon U.S.A.

Among the many advancements in Canon's new EOS 5D Mark II camera is the Company's proprietary DIGIC 4 Imaging Processor that powers the camera's fast 14-bit analog-to-digital conversion for smooth color tones and exceptional gradation. The Canon EOS 5D Mark II Digital SLR offers a full-frame 24 x 36mm, 21.1 megapixel CMOS sensor and continuous shooting at 3.9 frames persecond(fps) for an unlimited number of full-resolution JPEGs to the capacity of the memory card or up to 14 RAW images in a single burst when using a UDMA CF card. The camera includes a 15-point Autofocus (AF) sensor with nine selectable AF points plus six additional Assist AF points (three center AF points sensitive to f/2.8 lenses) with enhanced light source detection and AF microadjustment for greater autofocus performance. The EOS 5D Mark II camera also features a large, clear 3.0-inch Clear View LCD screen with 920,000 dot/VGA resolution, four times the pixel count of the EOS 5D camera's 2.5-inch screen, for enhanced clarity and color when viewing images. The new camera is equipped with a high-performance, high-magnification optical viewfinder providing 98 percent coverage, giving a new dimension to the saying, "what you see is what you get." Professional photographers will also appreciate the enhanced 150,000-cycle shutter durability of the EOS 5D Mark II camera.

Canon, the first company to introduce a full-frame digital camera, has improved the EOS 5D Mark II Digital SLR camera's newly developed full-frame CMOS image sensor. Utilizing proprietary Canontechnology, the Company has reduced noise and expanded the sensitivity of the CMOS sensor up to ISO 25600, which is three full stopshigherthan the ISO 3200 limit of the original EOS 5D camera. Although the individual pixel dimensions of the EOS 5D Mark II camera are the same as the 21.1-megapixel CMOS sensor used in the EOS-1Ds Mark III digital SLR, the new sensor incorporates an improved output amplifier and a more advanced color filter that improves light transmission while retaining excellent color reproduction. By applying the same kind of advancements in sensor design and image processing technology as the recently introduced EOS 50D camera, but at higher resolution and with larger pixels, the EOS 5D Mark II achieves the highest level of image quality of any EOS Digital SLR released to date.

With the combination of its improved CMOS image sensor and the powerful new DIGIC 4 image processor, the Canon EOS 5D Mark II camera provides ISO speeds from ISO 100 up to ISO 6400 in 1/3-stop increments, along with two high-speed settings - H1 and H2 - of ISO 12800 and ISO 25600, respectively, as well as a low-speed setting of ISO 50. The full-frame sensor maximizes the performance of Canon EF lenses, the world's largest selection of autofocus lenses.

HD and SD Video Capture

Canon has taken its expertise in imaging, photography and video capture technology to a new level with the EOS 5D Mark II Digital SLR. Answering the question of where SLR technology is going next, the EOS 5D Mark II features 16:9 Full HD video capture at 1920 x 1080 pixels and 30 fps as well as 4:3 standard TV quality (SD) video capture at 640 x 480 pixels and 30 fps, both capabilities appearing for the first time in a Canon SLR camera. Video capture is part of the camera's Live View function, using the Picture Style that has been set for Live View still image shooting. This allows skilled photographers and cinematographers to adjust image sharpness, contrast, color saturation and white balance, and have those settings apply to the movie image. When recording video, the camera's rear LCD screen can be letter-boxed by a semi-transparent border to match the aspect ratio of the movie recording size. Moreover, the EOS 5D Mark II camera's HD video capability enables new levels of creative expression through its unfettered access to the complete line of more than 60 Canon EF lenses, which provide an incredible variety of visual effects including everything from ultra-wide-angle and fish-eye to macro and super-telephoto, including many large-aperture L-series professional lenses that can keep the main subject in razor-sharp focus while blurring the background beyond recognition.

The EOS 5D Mark II will record video up to 4GB per clip or a maximum continuous movie capture time of 29 minutes and 59 seconds, whichever comes first. Depending on the level of detail in the scene, a 4GB memory card can record approximately 12 minutes of video at full HD resolution or approximately 24 minutes in standard definition.1 Video clips are recorded in .MOV format using an MPEG-4 video compression and sound is recorded using linear PCM2 without compression. The new camera features an input terminal for external stereo microphones as well as a built-in monaural microphone for convenience. To help show off those fantastic movies as well as still photos, the EOS 5D Mark II camera includes an HDMI (High-Definition Multimedia Interface) output to display crisp, clear images on a High-Definition TV.

Canon Hd Video Camera is a post from:

Are you always putting aside that ghost hunting weekend in England’s Raynham Hall? With your capable home video surveillance security systems at work, you can go catch your ghost while your cameras look after your home.

Relax, Take Your Thrilling Holiday

Finally, you can see the stairs where The Brown Lady was last seen in a 1936 photograph. The Raynham Hall in Norfolk England is famous for its genteel ghost and like many ghost hunters, you are ready for the big thrill.

You’ve been packed and ready to go for a while, but you couldn’t leave your home unattended. After all, not all ghosts are friendly. With the installation of your home video surveillance security systems and your brother taking over the monitor, you can take your family ghost hunting without worrying about intruders or snoops taking an unguided tour inside your home. But with your topnotch video surveillance security systems, you can finally take the trip of your dreams and leave it all to big brother.

Clue big brother in on the surveillance systems

Since there are several surveillance systems, inform your brother if yours is a closed circuit television or X10 video security. This will help him appreciate what he is going to deal with the moment he is on his own. Make it clear that you have both wired and unwired video surveillance security systems in the house.

If you have a X10 recorder, assure him that you have access to the 24-hour recording of your home surveillance. You can even watch this from your laptop in England! Before giving the reins of the household to big brother, show him your mounted surveillance cameras. You must explain that when somebody rings the doorbell, an image is immediately transmitted to the monitor. When he recognizes the visitor, he presses the intercom button to answer.

Still, he must not let anybody in unless it is the weekly housekeeper or the security systems man who is expected to come any time to check on the video surveillance security systems. To make sure that he lets in the right person, show him their pictures. This is surely going beyond mere precautions, but nothing should be overlooked.

What you have to explain to your brother

You can show big brother how the video surveillance security systems are attached to your PC. Should he be working late into the night, he need not get up to check the monitor near the door. Show him how he can just check out the PC. Also let him know that your video surveillance security systems include an outdoor infrared camera that can capture images even in the dark. Also, assure him that he can work without stressing himself out.

If your big brother inquires about the absence of unsightly wires, tell him not to bother as these were hidden by the installers, and it cost quite a bit more. Warn him, though, to check the security systems and never to switch the outdoor camera off so he can check if any suspicious characters are loitering near the premises of the house. Since most of indoor surveillance systems are electrically charged, he shouldn’t worry at all.

Finally the ghost hunt

Gird your self for the fun or the chill. Aside from the ghosts of yesteryears, you can comb the picturesque countryside in Cornwall, Norfolk, Derbyshire, and Birmingham. Whatever your family wants, you can rest easy knowing that there’s someone at home with your video surveillance security systems.

Hunting Video Cameras is a post from:

Panasonic Lumix FH1

This 12.1 mega-pixel point-and-shoot digital camera offers sleek styling and compact form factor. However it's not all looks with the Lumix FH1 it can take some great photos. This digital camera has a 28mm wide-angle lens with 5X optical zoom and can record HD video and take HD-quality photos. This camera is perfect for someone who just needs a simple and easy to use camera that can take good quality pictures and video. It's going to be available in April of 2010.

Some specifications:

• 12.1 megapixels
• 28mm wide-angle lens
• 5X optical zoom
• Auto Intelligence Mode
• Records HD video
• Can take HD photo stills
• Compatible with Windows 7
• Ultra compact digital camera

Panasonic Lumix FH3

The Panasonic Lumix FH3 is a stylish ultra compact digital camera that can take quality pictures and video. The Lumix FH3 features a 14.1 mega-pixel 28mm wide-angle lens and 5X optical zoom. This camera also features a very intelligent auto mode that will be able to take photos in any condition, by eliminating excess shooting settings and automatically adjusts to lighting and gets rid of blurry photographs. The Lumix FH3 will be available starting April of 2010.

Some specifications:

• 14.1 megapixels
• 28mm wide-angle lens
• 5X optical zoom
• Intelligence Auto mode
• Records HD video
• Can take HD-quality photo stills
• Compatible with Windows 7
• Ultra compact digital camera

Panasonic Lumix FH20

The compact form factor of the Panasonic Lumix FH20 shouldn't fool you it is a powerful digital camera. It features a 14.1 mega-pixel 28mm wide-angle lens that gives you a whopping 8x optical zoom. This compact camera also features a very intelligent auto mode that self-adjusts to the lighting situation ensuring you get the perfect shot every time. Panasonic didn't leave any feature out when making the FH20 they have also put in HD video recording capabilities that are great for making your own HD YouTube videos. The Panasonic Lumix FH20 will be available in April of 2010.

Some specifications:

• 14.1 megapixels
• 28mm wide-angle lens
• 8X optical zoom
• Intelligent Auto
• Records HD video
• Can take HD photo stills
• Compatible with Windows 7
• Ultra compact digital camera

Panasonic Video Cameras is a post from:

If you have asked this question to yourself or someone else, "Where Can I Buy A Spy Pen Camera With Built-In Digital Video Recorder (DVR) And Audio, As A Gift For Someone?" Then here is some information about that. With technology the way that it is these days, they make so many amazing and wonderful gadgets.

It is amazing that they can manufacture a color video camera, with audio, and hide it inside something tiny like a watch, a lapel pin, or a fancy looking writing instrument. Some business people and fans of writing with a pen, carry a fancy-schmancy looking pen, sometimes in their shirt pocket. Well, now there are spy camera pens, where there is a pinhole above the clip that keeps the pen fastened to your shirt pocket. When the pen is "turned on," it will record video and audio, of anything that you are facing.

Some people might need something such as this because they have a rude or unpleasant co-worker who is making comments that are inappropriate and they need to be able to show it to the human resources department. Maybe there is an unruly neighbor on the block, who makes threatening comments, and someone needs to let law enforcement know. Maybe a teenage girl has a teacher make comments that are unacceptable!

People can also use a Spy Pen Video Camera with DVR and Audio for fun things. Maybe the guys went out to a sports bar, and Herb acted like a complete fool, and you wanted to capture it on video. Maybe on a girl's night out, Janet was drunk, removed her panties from under her skirt in plain view of everyone, to give to the hot male bartender as a "tip!" There are an unlimited number of ways to have some laughs with a Spy Camera Gadget.

When you say "I need a gift for someone," and you think they might like a Spy Pen Video Camera, you can shop online at a website such as www.iNeedaGiftForSomeone.com where they always have thousands of great gifts to choose from! Buying online will usually save you money and time!

Maybe, just maybe...a Spy Pen Video Camera is something that YOU would also love to own, and maybe you can find a Special Deal on buying two of them! One for your friend as a gift, and one for you to keep and enjoy...what's better than that? In fact, when it comes to any type of gift shopping, it is often fun to get one for yourself!

Digital Video Camera Recorder is a post from:

Review of iPad and Flip Camcorder Videos
iPad is larger than the 3rd Generation iPod touch and iPhoe 4, but there are many feature and technical differences between the devices that merit closer evaluation. The iPhone 4 and iPod touch 3rd Gen run iOS 4, yet the iPad runs iOS 3.2 with iOS 4.

Flip camcorders has become popular for its easy-to-use and hd videos. Its a disappointment that iPad doesn't support the mp4 videos from the flip camera. Because Flip cameras produce H.264/AAC files in an MP4 wrapper while other use advanced profile MPEG-4 in an AVI wrapper. So Doremisoft Flip Video to iPad Converter is your best bet that is one available conversion applications to create compliant clips for iPad use.

Best Bet - Flip Video to iPad Converter transfer Flip Videos to iPad
Flip Video to iPad Converter can easily convert full flip videos to iPad format: iPad - H.264 Video, iPad - H.264 HD Video, iPad - MPEG4 Video. Then you can import the videos and play on the iPad with powerful editing function, fully compatible with Windows 7.

How to transfer Flip Video to iPad and Play Flip HD videos on iPad?
Step 1: Download the Flip Video to iPad Converter. Install and run it.

Step 2: Load Flip video files into the Flip Video to iPad Converter.
Tip1: How to transfer the videos off of your Flip Video Camera and onto your computer

1. Connect the Flip to the computer.
2. In Windows under Computer or My Computer. You can copy the files out of this drive and folder to your computer by dragging and dropping it to another folder you wish for it to be in.

Step 3: Output Settings. Click "Profile" drop-down list to select an iPad video format as your output video format.

Step 4: Click "Convert" button to start your Flip video to iPad video conversion.
Tip1:Before your conversion, you can do further editing for your videos by choosing clip, edit or merge into one file button.

Step5: Import the converted file to iTunes and sync it to iPad and enjoy playback on iPad.
Tip2: Connect your iPad, launch iTunes and update your library. Once you see your new videos inside the iTunes library, you can easily get them to your iPad.

Note:
When connected to a personal computer (PC) on Windows, the iPad communicates with a piece of Apple iTunes. The iPad and iTunes work together to synchronize the movie and music available on the iPad to those available on the PC. This happens automatically, without any intervention being required from the user.

Its so easy with Flip Video to iPad Converter. Just follow the steps and start creating your stunning presenting Flip camcorder video on iPad now!

Related: How to convert flip video to mov on Mac OSX?

Flip Video Camera Reviews is a post from:

It is important to make some correct choices when you decide to purchase security cameras for your home or business. Failing to achieve the best match between your needs and the equipment capabilities that you purchase will make all the difference. We encourage you to learn as much as possible from reputable sources, as well. You may benefit from working with a security consultant who is experienced with larger security applications if you have a large business. However, for smaller situations such as in the home, then it's up to you to learn as much as you can concerning security systems and cameras. The following information pertains to what is available for security and surveillance cameras.

Among the categories of security cameras, one is known as wired surveillance cameras. This may be the most appropriate option for you depending on certain other factors. Because these cameras are hard-wired into place, they are not meant to be moved. Some businesses and homes do have this type of security camera installed. Many people opt to have a professional installer take care of that part for them. The advantage of wired cameras is determined by the specs of each particular case. One advantage is you can use more out of the way locations that would interfere with wireless transmission.

Swann offers many options for security and surveillance cameras. Competitively priced at about 0, the Swann Communications Digital Private Eye security camera is a good example. Ideal for those who are budget conscious, this camera is a good choice. However, you may find that this camera is not as feature rich as you'd like. You will still get peace of mind when using this camera because it does do a good job. After all, there is a market for everything, so this may be just what you're looking for.

If you want to go beyond security camera surveillance, the Swann Communications DVR4 Business Surveillance kit is a good option to consider. This particular package allows you more options for monitoring and surveillance. There are two security cameras that are included.

This kit works well for home use or even for smaller businesses. Of course there are a range of options to choose from. You can set this system to record your video direct to an external hard drive or to your computer. Another nice feature is motion detection monitoring. You can also integrate an alarm with the motion detector.

The security industry offers a healthy selection of security and surveillance cameras. You can find a security camera to meet almost every need. You should not begin seriously shopping for a security camera until you know your personal needs very well.

Swann Video Camera is a post from:

Best Bet - Flip Video to iPad Converter transfer Flip Videos to iPad
Flip Video to iPad Convertercan easily convert full flip videos to iPad format: iPad - H.264 Video, iPad - H.264 HD Video, iPad - MPEG4 Video. Then you can import the videos and play on the iPad with powerful editing function, fully compatible with Windows 7.

How to transfer Flip Video to iPad and Play Flip HD videos on iPad?
Step 1: Download the Flip Video to iPad Converter. Install and run it.

Step 2: Load Flip video files into the Flip Video to iPad Converter.
Tip1: How to transfer the videos off of your Flip Video Camera and onto your computer

1. Connect the Flip to the computer.
2. In Windows under Computer or My Computer. You can copy the files out of this drive and folder to your computer by dragging and dropping it to another folder you wish for it to be in.

Step 3: Output Settings. Click "Profile" drop-down list to select an iPad video format as your output video format.

Step 4: Click "Convert" button to start your Flip video to iPad video conversion.
Tip1:Before your conversion, you can do further editing for your videos by choosing clip, edit or merge into one file button.

Step5: Import the converted file to iTunes and sync it to iPad and enjoy playback on iPad.
Tip2: Connect your iPad, launch iTunes and update your library. Once you see your new videos inside the iTunes library, you can easily get them to your iPad.

Note:
When connected to a personal computer (PC) on Windows, the iPad communicates with a piece of Apple iTunes. The iPad and iTunes work together to synchronize the movie and music available on the iPad to those available on the PC. This happens automatically, without any intervention being required from the user.

It's so easy with Flip Video to iPad Converter. Just follow the steps and start creating your stunning presenting Flip camcorder video on iPad now!

Flip Video Camera Reviews 2010 is a post from:

Digital Video Camera - Ultra Compact DV Camcorder. New budget DV camera that is compact in size but big sized in features.

This handheld Digital Video Camera can easily fit in your pocket while packing a lot of performance in its compact frame. This digital camcorder has a great range of video and still capture features; from easy to use view flip out screen and convenient recording buttons to the easy memory expandability with SD cards and easy in-field changing of batteries.

It's not until you capture video and photos from the camera and put them on your TV or computer that you will see this unit's most impressive feature - the vibrant, clear imagery that is captured with this budget priced little wonder. Its simply amazing what good quality you can get from digital photography products these days, and this model is no exception. This is another example how far along digital products have come these last few years in both reducing cost and improving performance.

A low wholesale price and easy shipping make this a great re-selling item for featuring in your online store. Available for single piece personal orders or even better priced wholesale stock orders. From the original direct from China wholesale electronics supplier, Chinavasion.

At a Glance...

• Easy to use digital video and still picture camcorder.
• Comes with a ready to use starter kit.
• Rotating Flip-Out 3.0 inch LCD Screen - 360 degree movement

China Manufacturer Specifications

• Product Description: Compact DV Camera
• Screen Size: 3.0 inch LCD
• Storage media:
  - Internal: 32MB
  - External: SD Card up to 8GB
• Color: Silver
• Power supply: Rechargeable Li-ion battery (1000mAh)
• Typical Battery Life: Up to 1.5 hours of recording
• PC interface: USB 2.0 or 1.1
• Certifications: CE, FCC
• TV OUT Format: NTSC / PAL
• Compatible OS's (computer not needed for use): Windows 98SE / 2000 / Me / XP / Vista
• OSD Languages: English, Japanese, German, French, Spanish, Italian, Russian, Chinese (traditional), Chinese (simplified)
• Buttons/IO Slots:
  - ON/OFF button
  - Macro switch
  - Playback button
  - Navigation pad
  - REC button
  - Enter button
  - Menu button
  - Mode button
  - SD memory card slot
  - Mini-USB slot
  - AV OUT
  - White LED light
  - Tripod mount
  - MIC
• Dimensions: 115mm x 75mm x 30mm (L x W x H)
• Manufacturer Ref: NTC8Y8RSH1V6

Image Capture Details

• File Formats:
  - Video: MPEG4
  - Still Image: JPEG
• Lens: Wide - F/3.0, f=7.45mm
• Imaging sensor: 1/2.5" CMOS 5.0 Mega Pixel
• Focus range:
  - Normal: 2.5m ~ Infinity
  - Macro: 30cm ~ 50cm
• Shutter: 1/4 ~ 1/2000 Sec
• Banding: 50Hz / 60Hz
• Video Camera:
  - Video Resolution: 640x480, 320x240
  - Frames Per Second: 30 FPS or 15 FPS
  - Zoom: 8x Digital Zoom
  - Audio: YES - ON or OFF
  - Flash Type: White LED - ON or OFF
  - Lens Focus: Macro or Normal
  - White Balance Options: YES
• Digital Still Camera:
  - Camera Resolution: 3648x2736, 2592x1944, 2048x1536, 1600x1200, 1280x960, 640x480
  - Quality (compression): Super, Fine, Normal
  - Zoom: 8x Digital Zoom
  - Timer: OFF, 10 sec, 20 sec, Continuous Shot
  - Date Stamp: YES - ON or OFF
  - Flash: ON / OFF / Auto / Red Eye Reduction
  - EV: 4 steps (+2 to -2)
  - Picture Settings: Color Effects, White Balance, Scene Modes

Product Notes

• Packages includes everything you need. Take it out of the box and start filming
• Powered by a Li-ion rechargeable battery, compatible with NP-60 (Fuji type)
• Great as a gift to give to newlyweds, college students, relatives at Christmas, or "citizen journalists"
• AV OUT jack and cable - watch your videos on your TV
• Easy to use digital video and still picture camcorder in an ready to start using kit.
• Features flip out 3.0 inch LCD to make shooting videos simple and fun.

Package Contents

• Model CVSE-DV02 Camcorder
• Camera Bag
• Earphones
• AV cable
• Mini-USB to USB cable
• Power Charger (100-240V, 50/60Hz)
• Remote
• Wrist strap
• Software CD
• User Manual - English

Visit the website: http://www.boutic.power-heberg.com
You will find much more.

Current Reviews: 2 This product was added to our catalog on Wednesday 10 June, 2009.

Reviews for: (Digital Video Camera - Ultra Compact DV Camcorder)

very well camcorder by Miroslav Vnuk on 05/25/2009: Very good quality of screen

Nice Compact by Susan on 02/24/2009: Great camera for the price of nice photos.

Panasonic Hm-ta1 Video Camera is a post from:

History

Early studio television camera -- Gray box on right is the lens, gray box on top is the Viewfinder, sides are lowered to show internal electronics.

Professional television camera history has two main lines: the gradual shrinking of the camera as it became more versatile and self contained; and a progression of sensors from large insensitive tubes to smaller, much more sensitive tubes and finally to very small, very sensitive solid state chip imagers. Cameras that contained their own recording mechanisms did not appear until the early 1980s.

At the beginning, these cameras were very large devices, almost always in two sections. The camera section held the lens and tube pre-amps and other necessary electronics, and was connected with a large diameter multi-core cable to the rest of the camera electronics, usually mounted in a rack. The rack would be in a separate room in the studio, or in a remote truck. The camera head alone could not generate a video picture signal on its own. The video signal was output from the rack unit to the rest of the studio for switching and transmission. By the fifties, electronic miniaturization had progressed to the point where some monochrome cameras could operate stand alone and even be handheld. But the studio configuration remained, with the large cable bundle transmitting the signals back to the CCU (Camera Control Unit). The CCU in turn was used to align and operate the camera's functions, such as exposure, system timing, and video and black levels.

The first color cameras (1950s in the US, early 1960's in Europe), notably the RCA TK-40/41 series, were much more complex with their three (and in some models even four) pickup tubes, and the size and weight drastically increased. Handheld color cameras did not come into general use until the early 1970s, and the first ones were two pieces, a camera head shoulder unit that held the lens and tube section, and a backpack unit. The Ikegami HL-33 was the first of this type, but was followed a up by one piece cameras. These one piece cameras, (The HL-77 from Ikegami and the TK76 from RCA) made possible, (in combination with portable 3/4" U-matic VCRs) the introduction of Electronic News Gathering (ENG), which very rapidly replaced the 16mm film cameras that had been the dominant method for capturing news events. This established the standard operation in the field of a two person news crew, one operating the camera, and one carrying the shoulder strapped U-matic recorder and a boom microphone. The control layout (often called "form factor") for the camera's most important functions was also established with these cameras, and continues to define an ENG camera to this day.

In the early 80s, the first cameras with an on board recorder were brought to the market. The more successful of these used the Betacam recording system. At first these cameras used pickup tubes, and the recorders were of the removable type. Models with solid state CCD imagers came on the scene in the mid-80s. These brought multiple benefits. They were much more stable and less prone to drift than tube cameras, and didn't require a warm up or calibration time at the beginning of the day. They also were not prone to image burn in or lag caused by very bright light sources in the frame. The early models did not have the resolution or color quality of their tube counterparts, but successive models quickly pulled ahead of tube technology. Eventually, cameras with the recorder permanently mated to the camera head became the norm for ENG.

Studio camera technology did not stand still during this period. The camera electronics shrunk, and CCD imagers replaced the pickup tubes. The thick multi-core cables connecting the camera head to the CCU were replaced in the late seventies with triax connections, a slender video cable that carried multiple video signals, intercom audio, and control circuits, and could be run for a mile or more. As the camera innards shrunk, the electronics no longer dictated the size of the enclosure. But the box shape remained, as it was necessary to hold the large studio lenses, teleprompters, studio viewfinder, and other paraphernalia needed for studio and sports production. Electronic Field Production cameras were often mounted in studio configurations inside a mounting cage. This cage supported the additional studio accessories.

In the late 90s, as HDTV broadcasting commenced, HDTV cameras suitable for news and general purpose work were introduced. Though they delivered much better image quality, their overall operation was identical to their standard definition predecessors. New methods of recording for ENG cameras were introduced to supplant tape. Ikegami and Avid introduced EditCam in 1996, based on interchangeable hard drives. Panasonic introduced P2 cameras. These recorded a DVCPro signal on interchangeable flash card media. Several other data based recording systems were introduced, notably XDCam from Sony, and as of 2009, it remains to be seen what will become the predominant method of camera media for professional use in the 2010s.

Chronology

1926 to 1933 "cameras" were a type of flying spot scanner using mechanical disk.

1936 saw the arrival of RCA's iconoscope camera.

1946 RCA's TK-10 studio camera used a 3" IO - Image Orthicon Tube with a 4 lens turret. The RCA TK-30 (1946) was widely used as a Field Camera.

The 1948 Dumont Marconi MK IV was an Image Orthicon Camera. Marconi's first camera was shown in 1938. EMI cameras from the UK, were used in the US in the early 1960s, like the EMI 203/4. Later in the 60s the EMI 2000 an EMI 2001.

In 1950 the arrival of the Vidicon camera tube made smaller cameras possible. 1952 saw the first Walkie-Lookie "portable cameras". Image Orthicon tubes were still used till the arrival of the Plumbicon.

The RCA TK-40 is considered to be the first color television camera for broadcasts in 1953. RCA continued its lead in the high-end camera market till the (1978) TK-47, last of the high-end tube cameras from RCA.

Ikegami introduced the first truly portable hand-held TV camera in 1962.

Philips' line of Norelco cameras were also very popular with models such as PC-60 (1965), PC-70 (1967) and PCP-90 (1968 Handheld). Philips/BTS-Broadcast Television Systems Inc. later came out with an LDK line of camera, like its last high end tube camera the LDK 6 (1982). Philips invented the Plumbicon pick up Video camera tube in 1965, that gave tube cameras a cleaner picture. BTS introduced its first HandHeld Frame transfer CCD- Charge-coupled device-CCD camera the LDK90 in 1987.

Bosch Fernseh marketed a line of high end cameras (KCU, KCN, KCP, KCK) in the US ending with the tube camera KCK-40 (1978). Image Transform (in Universal City) used specially modified 24 frame KCK-40 for their "Image Vision" system. This had a 10MHz bandwidth twice NTSC resolution. This was a custom pre HDTV video System. At its peak this system was used to make "Monty Python Live at the Hollywood Bowl" in 1982. This was the first major high-definition analog wideband videotape-to-film post production using a film recorder for film out.

Technology

Most professional cameras utilize an optical prism block directly behind the lens. This prism block (a trichroic assembly comprising two dichroic prisms) filters the image into the three primary colors, red, green, and blue, directing each color into a separate charge-coupled device (CCD) or Active pixel sensor (CMOS image sensor) mounted to the each face of the prism. Some high-end consumer cameras also do this, producing a higher-resolution image, with better color fidelity than is normally possible with just a single video pickup.

In both single sensor and triple sensor designs, the weak signal created by the sensors is amplified before being encoded into analog signals for use by the viewfinder and monitor outputs, and also encoded into digital signals for transmission and recording. The analog outputs are normally in the form of either a composite video signal, which combines the color and luminance information to a single output; or an R-Y B-Y Y component video output through three separate connectors.

Studio cameras

Most studio cameras stand on the floor, usually with pneumatic or hydraulic mechanisms called pedestals to adjust the height, and are usually on wheels. Any video camera when used along with other video cameras in a studio setup is controlled by a device known as CCU (camera control unit), to which they are connected via an optical, Triax or Multicore cable. The camera control unit along with other equipments is installed in the production control room often known as Gallery of the television studio. When used outside a studio, they are often on tracks. Initial models used analog technology, but digital models are becoming more common. Some studio cameras are light and small enough to be taken off the pedestal and used on a cameraman's shoulder, but they still have no recorder of their own and are cable-bound. Cameras can be mounted on a tripod, a dolly or a crane.

ENG cameras

Sony camera head with Betacam SP dock recorder.

Though by definition, ENG (Electronic News Gathering) video cameras were originally designed for use by news camera operators, these have become the dominant style of professional video camera for most uses, from shooting dramas to documentaries, from music videos to corporate training. While they have some similarities to the smaller consumer camcorder, the following differences should be noted:

ENG cameras are larger and heavier, and usually supported by a shoulder stock on the cameraman's shoulder, taking the weight off of the hand, which is freed to operate the lens zoom control. The weight of the cameras also helps dampen small movements.

3 CCDs are used instead of one, one for each primary color

They have interchangeable lenses.

All settings, white balance, focus, and iris can be manually adjusted, and automatics can be completely disabled.

The lens is focused manually and directly, without intermediate servo controls. However the lens zoom and focus can be operated with remote controls in a studio configuration.

Professional connectors - BNC for video and XLR for audio. There are at least two XLR audio inputs.

A complete timecode section is available, allowing time code presets; and multiple cameras can be timecode-synchronized with a cable.

"Bars and tone" are available in-camera (the color bars are SMPTE (Society of Motion Picture and Television Engineers) Bars, a reference signal that simplifies calibration of monitors and setting levels when duplicating and transmitting the picture. )

Recording is to a professional medium like some variant of Betacam or DVCPRO or Direct to disk recording or flash memory. If as in the latter two, it's a data recording, much higher data rates (or less compression) are used than in consumer devices.

The camera is mounted on tripods and other supports with a quick release plate.

A rotating behind-the-lens filter wheel, for selecting an 85A and neutral density filters.

Controls that need quick access are on hard physical switches, not in menu selections.

Gain Select, White/Black balance, color bar select, and record start controls are all in the same general place on the camera, irrespective of the camera manufacturer.

Audio is adjusted manually, with easily accessed physical knobs.

EFP Camera operator at a baseball game.

EFP Cameras

Electronic Field Production cameras are similar to studio cameras in that they are used primarily in multiple camera switched configurations, but outside the studio environment, for concerts, sports and live news coverage of special events. These versatile cameras can be carried on the shoulder, or mounted on camera pedestals and cranes, with the large, very long focal length zoom lenses made for studio camera mounting. These cameras have no recording ability on their own, and transmit their signals back to the broadcast truck through a triax or multicore cable.

Dock cameras

Some manufacturers build camera heads, which only contain the optical block, the CCD sensors and the video encoder, and can be used with a studio adapter for connection to a CCU in EFP mode, or various dock recorders for direct recording in the preferred format, making them very versatile. However, this versatility leads to greater size and weight. They are favored for EFP and low-budget studio use, because they tend to be smaller, lighter, and less expensive than most studio cameras.

A remote-controlled camera mounted on a miniature cable car for mobility.

Remote cameras

Remote cameras are typically very small camera heads designed to be operated by remote control. Despite their small size, they are often capable of performance close to that of the larger ENG and EFP types.

"Lipstick" cameras are so called because the lens and sensor block combined are similar in size and appearance to a lipstick container. These are either hard mounted in a small location, such as a race car, or on the end of a boom pole. The sensor block and lens are separated from the rest of the camera electronics by a long thin multi conductor cable. The camera settings are manipulated from this box, while the lens settings are normally set when the camera is mounted in place.

Block cameras are so called because the camera head is a small block, often smaller than the lens itself. Some block cameras are completely self contained, while others only contain the sensor block and its pre-amps, thus requiring connection to a separate camera control unit in order to operate. All the functions of the camera can be controlled from a distance, and often there is a facility for controlling the lens focus and zoom as well. These cameras are mounted on pan and tilt heads, and may be placed in a stationary position, such as atop a pole or tower, in a corner of a broadcast booth, or behind a basketball hoop. They can also be placed on robotic dollies, at the end of camera booms and cranes, or "flown" in a cable supported harness, as shown in the illustration.

See also

Akai

Ampex

John Logie Baird

Broadcast Television Systems Inc. LDK - line of cameras

Digital cinematography

Digital cinematography cameras

Allen B. DuMont

EMI 2001

Fernseh KC- line of cameras

Film Chain

Grass Valley (company) LDK - line of cameras

Hitachi SK- line of cameras

Ikegami HL -line of cameras

Marconi Company EMI - line of cameras

Norelco PC line of cameras

NTSC

PAL

Philips KD - line of cameras

RCA TK- line of cameras

Sony

Video camera tube

References

Notes

^ link to MK IV

^ http://www.meldrum.co.uk/mhp/knackers/cameras.html

^ History of TV on Google Books

Bibliography

Zettl, H. 2006 "Television Production Handbook", Thomson Wadsworth, ISBN 0-534-64727-8

External links

Wikimedia Commons has media related to: Video cameras

Sony professional cameras

Thomson: manufacturer of CCD based professional cameras, formally (Philips)

History of RCA cameras

Categories: Film and video technology | Cameras

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